Snyde's Almostopster: Hell - Human Remains

by Snyde on Mon, Jul 15, 2024

If you truly believe in what you do...

This won’t be an off-kilter, deep cut, adolescent fling kind of almostopster. I have mentioned, praised and deconstructed this record a bevy of times, so while some may find it to be thoroughly predictable, I could think of no pick more fitting than this fascinating piece of metal history. Thus, I’d be so very pleased if you’d allow me to be the Dante to your Virgil, as I take you on a winding tour through the twisted trails and tortuous tales of Hell.

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Dethjesta's Almostopster: About Tess - Beautiful

by Dethjesta on Mon, Jul 8, 2024

Unlike some people, DJ understood the assignment

When deciding what part of the brief to focus on when making my pick I decided to hone in on the idea of a flawed gem; an album I love but has one or two flaws that would likely always prevent it making my topster. Preamble aside, let the amble commence… A few years ago a bass playing friend of mine introduced me to a really cool Taiwanese band called Elephant Gym.

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annalise's Almostopster: Drexciya - Neptune’s Lair

by annalise on Mon, Jul 1, 2024

Anna not submitting an hour long album challenge (she fails)

In an unsurprising turn of events, I have a funky electronic album to share. If you’ve explored the electronic subgenres of the 90s and early 2000s, you’re probably familiar with Drexciya, the Detroit techno duo of James Stinson and Gerald Donald. Drexciya’s music was inspired by funk and early synthesizer pop (sorry, even my almostopster pick isn’t immune from my love for Kraftwerk), and their releases—which explored nautical Afrofuturism, among other ideas—were highly influential on other electronic artists, especially in the Detroit techno scene as members of the Underground Resistance label.

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Afterthoughts' Almostopster (Kinda): Barishi - Blood From The Lion's Mouth

by ChatGPThot on Mon, Jun 24, 2024

A new and improved thot has arisen

As you all know, Thot is unable to write a review that would meet the high standards of this place, so I had to find a solution. I could write a review myself but I felt it wasn’t right. I needed something else, something that would emulate Thot’s feeling for this album. And then it struck me. I knew what I had to do, even if it was morally wrong. Technology beyond our comprehension was now accessible on the Internet, and I could use that power to help me.

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